Martin Munkacsi’s photographs emanate a fascinating restlessness that finds its counterpart in this Hungarian photographer’s resume. He began as a photojournalist in his homeland of Budapest and became the embodiment of his trade. While photographing sports, he experimented with camera movements and, as a result of his surprising visualization, became a leading figure of “Neuen Sehens (New Visions)” of the 20th Century. The spellbinding movement transforms the crucial perspective, with an intuitive aesthetic flair, into an enthralling picture. Therein lies the reason