If one can ever speak of color-intoxicated photography it is standing in front of pictures by Annelies Strba (*1947 in Zug). The images seems to be lit from within, both saturated and enigmatic. Though the contrasts are exaggerated and the bodies always disintegrate into haziness, the pictures maintain something very personal, which transports a mood that makes them immediately accessible to all; the aura’s immediacy is undoubtedly one of the Swiss photographer’s fortes. She turns her attentive eye to her family, in particular to her three children, and to themes such as “outside in the