The poetry of color is laid bare in Francoise Gaujour’s series The Furrow, and our gaze becomes lost in the subtle transition between horizon and sky. These expressive landscapes are both evocative and emotional. The portrait format, unusual for this genre, supports the almost painterly look. While in some places the different layers merge with one other seamlessly, in others we see sky, water, and beach contrast like abstract colour planes. Lone figures, often identifiable only as silhouettes, strengthen the association with romance paintings and emphasize the relationship between man and