Lacking any acute and obtuse angles, Jonas Aabels’s abstract organic colour templates rotate in complex concentric circles within the two-dimensional image space. Especially his generative works feel like the gears of futuristic machines with abstract connecting rods. The young Norwegian industrial designer originally worked with digital painting and has already produced a large series of digital works. His visual vocabulary possesses clear similarities to Nordic predecessors such as Gunnar S. Gundersen and Odd Tandberg, whose abstract paintings had a great impact on the postwar era in