In his series Nobody’s Nobodies, Rogério Reis documents the lively and beatific beach life of Rio de Janeiro. Although he takes photos in public places, he covers each and every swimmer’s face with a colourful dot, questioning their right to their own image in a humorous way. The simple geometric shape enables him to be carefree when photographing people and results in striking art that comes from real life. Reis refers to the unexpected and ironic associations that arise from the dots, reminiscent of artists such as John Baldessari and László Moholy-Nagy. Reis plays with the