BACK TO THE FUTURE The Australian artist Stephen Haley bridges the discoveries of the Renaissance with the twenty-first century. The concept of the vanishing point and thus central perspective was the beginning of the development of the modern, technology-dominated world of imagery. In early Renaissance vedute, the buildings of spatially well-ordered cities were viewed with a sober gaze. Haley constructs a congenial image of the strictly ordered structures of the worlds in which we live and work today. With the help of 3D technology he is able to create seductive illusions, which he