Thomas Florschuetz, born 1957, has been been especially dedicated to the fragment, bordering abstraction, since the beginning of his work. He was made famous towards the end of the 80’s by his unmistakeable, spectacular tableaus of body parts.  Since then, his pictorial language has become gentler; however, it has maintained its basic mindset:  Florschuetz still zooms in and captures the vantage point of an insect wanting to alight on the pastel-colored petals in his flower blossom pictures. The artist uses the possibility of photographic means to accomplish a quasi-film