For a long time, stage photography was considered an inferior shoot in the big garden of photographic genres. The pictures taken had to be well focused in order to recognize the actors, they had to be restricted to black and white to be suitable for the newspapers, and, if at all possible, they should reflect the atmosphere of the production. Nothing more was needed. In the meantime ambitious stage photographers have helped make blurred images and color acceptable in theater business. Ursula Kaufmann, born in 1946, has supported this trend during the past two decades, but still is not